System Shock Remake

4月11日のアップデートでついに約一年越しに　日本語UIの改善が来ました　それと　ラスボス戦が単調でつまらないのも改善され更に神ゲーになりました

めっちゃ難しいです。難易度easyでクリアしました。
最近の導線がはっきりしているゲームしかやっていない人にはおすすめできません。
ゲーム内のテキストとか読まない人はやるべきではありません。
次に何をすれば良いのか分からずに詰みます。まぁ、読んでても詰みます。
自分は原作をやったことがなかったためテキストを何回も読んで何度も同じところいったりきたりして何とかクリアできました。
（難易度easyだとマップにヒント？的なマーカーが出るのでめっちゃ助かります。）
おすすめとは言いつつも二度とやりたくはないです。

More people should play System Shock, not only for it's historical significance (although that cannot be overstated), but also for its depth and design. In the modern era where remakes and remasters of classic games are a dime a dozen, this one stands out. It makes the original actually playable to someone who isn't the most devout tech nerd, or blinded by nostalgia, without sacrificing the original's complexity in level layout, environmental storytelling, and of course, missions and objectives that are as clearly stated as a jar of peanut butter mixed into a blender full of cement.
In all seriousness, I have always had a softspot for immersive sim PC first person shooter games, the cyberpunk aesthetic, and survival horror, and for me it's hard to beat The original System Shock 2 in the synthesis of those elements. This updates the feel to somewhere inbetween that, Bioshock, and maybe a smidge and I mean a ~ s m i d g e ~ of Doom 2016//
Encounters still play out in the methodical and strategic manner of the original, where much of the time is spent fumbling quickly with the interface from behind cover to execute the most stylish and simultaneously resource conserving sequence of patches, weapons, and cybernetics to deal with the situation. And upon completing the sequence perfectly you manically scramble for the quicksave button to preserve this snap shot of your digital expression of pure unbridled chaos and defiance of the snide AI with a god complex.
On that note, the controls are definitely a barrier to entry. The amount of mechanics and possible conditions ends up having almost every key custom mapped to some action or another and if that's not your style then get ready to navigate a mouse interface akin to point and click adventures on robo space drugs.
Now, on the AI itself, Shodan is one of my favorite antagonists in a video game ever. Her presence throughout Citadel station, her constant berating the player, it's all just set up so masterfully to portray her as some kind of psychotic and terrifying genius with a pension for human misery. The voice and sound design of which also does not disappoint.
On that note we come to some critque. The overall sound mixing was very scattered across the board, while the game does offer thorough options for different classes of sounds, however like sounds will be mixed such that some sounds end up being wimpy and buried and others overpowering and distracting. Many guns just feel off, but the magnum just blows your head off, and at many points there was so much between combat and music that the planned story dialogue got buried and I had to rely on reading the subtitles whilst trying to not get shot, since these are not easily replayable like audio logs.
My other criticism is the final boss which has proven a phenomena online as being so universally hated as a shoddy and unfinished mark on what was otherwise a fairly satisfactory remake. I won't get into it here, but just say that I recommend to not finish it and just watch the final sequence online instead and save yourself the frustration.
That being said, I still recommend this game whole heartedly and want to see more people diving into the immersive depths that it deserves. Very few games capture such a synergy as the system shock remake and system shock 2 in the existence of multiple gameplay systems, opposed and angular to one another, yet in harmony through the lens of player agency, both as a device for its narrative, as well as a compelling gameplay loop. While this may lack the deeper RPG elements of its sequel that allows you to customize your character to your whims, instead being about managing limited resources instead of using the character as a tool for self expression, it makes for a tighter design and less linear progression which stands as a testament to games as both a technical wonder, as well as a compelling work of art. Mix that with a rich subtext of future capitalist criticism, ethical AI philosophy, and transhumanism and you've got the pinnacle of a burgeoning scene where PC games were still in their infancy and being developed both as technology, and a narrative experience. If it piques your interest, go ahead and pick this up to give some time to and I promise you wont be disappointed.

敵が無限沸きなのに対してこちらのリソース（弾薬やグレネード）が有限なのがきつかったけどそれ以外は完璧なゲームだと思った。クリアは断念したけど人に勧めるには十分な魅力はある。

注、このゲームは極めて難易度が高いです、覚悟して挑みましょう。

まずアイテムリソースがほぼ有限です、自販機等のアイテムも売り切れます、補充なんぞ在りません。
何故ほぼなのかは一応リスポする敵が要るからその敵からほんの少しだけ物資が得られます。
無計画に物資を使うと即枯渇するぐらい物資が乏しいです。
敵も半端なく強いです、無計画に武器をパンパン撃っても敵それぞれにクリティカルポイントが違ったり、耐性が違ったりで無知で攻撃すると無意味にリソースを消費したりします。
敵の攻撃も半端じゃないぐらい痛いです、棒立ちすると数秒で死にます。
マップ探索も尋常じゃないぐらい不親切で、理不尽に溢れてます。

でも何故お勧めにしているのか？

それは　このゲームはワザとそういうゲームデザインにしており、決してバグ等ではなく、製作者の挑戦状をプレイヤーの顔面に叩きつけるような難易度にわざとしているのです。
リソースを節約し、敵や罠の知識を集め、マップのメモをしっかり取って進めるのです。

貴方のプレイスキルが完全に反映される難易度となっていて、スキルが無ければ即死します。
拾った武器は全てが有用、全てを扱えなければこの理不尽のステーションをクリアできません。
貴方の経験や知識、そして書き記したメモがカギになります、絶対にメモは書きましょう。
それでもプレイするあなたに一つだけ助言をしましょう。

アイテム倉庫は有りません、但しアイテムは消えません。
どういうことかと言うと、ぶっちゃけアイテム廊下に放り投げてもいつまでも残ります。
床が倉庫代わりになります。適当なテーブルに目立つように置けばそこが倉庫に早変わり！
アイテムをロストしても拾える施設が有るのであきらめない様に。
近接格闘術はデフォスキル、絶対に覚えましょう、靴とレザ剣持ってれば割とどうにかなる！諦めない様に。

史上最高のゲーム