The Troma Project

The Troma Project, developed by Nekrosoft and published by TopWare Interactive, is a strange, irreverent, and unapologetically crude turn-based strategy game that proudly embraces the chaotic spirit of Troma Entertainment’s infamous B-movie universe. Originally developed in the early 2000s but not released on Steam until 2015, the game feels like a relic from another era—both a love letter to the outrageous worlds of The Toxic Avenger and Sgt. Kabukiman, and a flawed but fascinating experiment in adapting Troma’s anarchic humor into video game form. It’s a product that revels in its trashy aesthetics, low-budget energy, and tongue-in-cheek violence, and while it hardly stands up to modern standards of design or polish, its sheer oddity gives it a certain cult charm that fans of grindhouse cinema might appreciate.
The story thrusts players into a series of absurd missions starring Troma’s iconic antiheroes. You command a squad that includes figures like the Toxic Avenger, Kabukiman, and other over-the-top characters in a world teeming with mutants, degenerates, and criminals. The narrative is little more than a loose excuse for the chaos that follows—missions involve killing gangs, fighting “Surf Nazis,” and mowing down bizarre enemies across grimy, cartoonishly violent maps. The dialogue is intentionally crass and self-aware, constantly breaking the fourth wall to mock its own low production values. It mirrors the humor and attitude of Troma’s cult films: gleefully tasteless, politically incorrect, and designed to shock as much as amuse. For those who understand and enjoy the bizarre, offensive comedy that defines Troma’s cinematic legacy, this tone lands exactly as intended. For others, it can easily come across as juvenile, random, and exhausting.
Gameplay-wise, The Troma Project borrows its framework from classic turn-based tactics titles, but it executes that formula with mixed results. You control your squad from an isometric perspective, moving each character using a finite pool of action points per turn. Every movement, attack, or interaction consumes part of this pool, forcing players to plan carefully—at least in theory. In practice, the game’s systems are simplistic, and many encounters devolve into basic shootouts where strategy takes a back seat to sheer absurdity. Weapons are plentiful but lack nuance, and mission objectives rarely evolve beyond “kill everything that moves.” The mechanics feel clunky, the pathfinding awkward, and the user interface dated even by early 2000s standards. At times, the game’s primitive systems make it difficult to distinguish between intentional challenge and pure jank. Yet there’s something oddly endearing about its roughness, as if the developers knew they were creating a chaotic parody rather than a polished tactical experience.
Visually, the game is unmistakably old-school, with blocky character models, muddy textures, and static backdrops that evoke the low-budget aesthetics of its cinematic inspirations. The presentation is crude but fitting for a Troma production—gore splatters across the screen, explosions look delightfully cheap, and character animations often border on comedic in their awkwardness. The inclusion of actual film clips and voiceovers from Troma’s founder Lloyd Kaufman helps cement the game’s identity as an extension of the studio’s multimedia madness. The soundtrack leans into punk and metal influences, enhancing the chaotic energy, while the sound effects—gunfire, explosions, screams—further emphasize the over-the-top violence. It’s far from technically impressive, but it nails the vibe of a grimy VHS-era splatterfest.
Despite its entertainment value as a novelty, The Troma Project’s flaws are impossible to ignore. Its mechanics are repetitive, and the lack of variety in mission structure makes it difficult to sustain interest over multiple play sessions. The balance between humor and gameplay is often skewed toward the former, resulting in moments where the jokes land but the gameplay itself drags. The controls are clumsy, the camera feels restrictive, and the inventory system is cumbersome. Even fans of retro strategy games may find the pacing slow and the interface unintuitive. The game also suffers from technical hiccups—bugs, crashes, and glitches that can interrupt progress. It’s clear that the project was limited by budget and time, and while the developers infused it with enthusiasm for Troma’s universe, the end result often feels more like an unfinished experiment than a fully realized title.
Where The Troma Project succeeds, however, is in its sheer audacity. It’s one of the few video games to fully commit to the chaotic, satirical, and unapologetically vulgar style of exploitation cinema. There’s a certain authenticity in how it refuses to tone down Troma’s trademark brand of shock humor. It’s grotesque, nonsensical, and often tasteless—but that’s the point. For players familiar with the films, seeing beloved B-movie characters turned into playable units has a novelty appeal that can’t be denied. The missions are interspersed with grainy cutscenes and tongue-in-cheek dialogue that feel ripped straight from the low-budget films of the 1980s, making the experience strangely cohesive despite its many rough edges.
Ultimately, The Troma Project is less of a traditional game and more of a cult artifact—a digital curiosity for those who appreciate Troma’s unique brand of cinematic absurdity. It’s messy, crude, and mechanically outdated, but it captures the chaotic heart of the franchise in a way few games dare to attempt. Fans of Troma’s offbeat humor and schlocky charm will likely find it amusing as a short-lived novelty, while anyone looking for refined gameplay or modern design will be left baffled by its eccentricity. It’s an odd, unpolished, and sometimes frustrating experience, yet its unapologetic commitment to its own weirdness gives it a kind of twisted authenticity. The Troma Project doesn’t aim to be good in the traditional sense—it aims to be Troma: loud, trashy, offensive, and unforgettable in its own bizarre way.
Rating: 6/10

Steam User 5

Reviewed last year

If you're familiar with the Troma Project films, then you'll already recognise some of the characters in the game like Toxie and Sgt. Kabukiman for instance. As a top-down RPG shooter, The Troma Project was originally released in the early 2000s so expected the chalky audio and 2D background layered with 3D characters that can perform actions. The narrator has a comedic tone in his voice and dialogue, and gave a thorough tutorial when I first started the game.
It's turn-based combat is pretty simple and easy to follow. You can alsl oread a brief of the characters, and equip them with items and weapons to upgrade their stats. Despite the bloody graphics and attack animations, the game is accompanied by light-hearted pop rock music which I find humorous. As the devs have stated, 'Please take it not too serious!'
My overall gameplay was bugs and lag-free, with smooth visuals and effects. Unless you want a game with a deeper story and more fulfilling plot, the Troma Project is still great for a parody style, non-serious strategy game.
Steam User 0

Reviewed last year

正直、本当にひどいゲームですが、私のような大ファンなら、プロフィール用の素敵な「トロマ」バッジが手に入るのでおすすめです。
Steam User 0

Reviewed last year

The Troma Project, developed by Nekrosoft and published by TopWare Interactive, is a strange, irreverent, and unapologetically crude turn-based strategy game that proudly embraces the chaotic spirit of Troma Entertainment’s infamous B-movie universe. Originally developed in the early 2000s but not released on Steam until 2015, the game feels like a relic from another era—both a love letter to the outrageous worlds of The Toxic Avenger and Sgt. Kabukiman, and a flawed but fascinating experiment in adapting Troma’s anarchic humor into video game form. It’s a product that revels in its trashy aesthetics, low-budget energy, and tongue-in-cheek violence, and while it hardly stands up to modern standards of design or polish, its sheer oddity gives it a certain cult charm that fans of grindhouse cinema might appreciate.
The story thrusts players into a series of absurd missions starring Troma’s iconic antiheroes. You command a squad that includes figures like the Toxic Avenger, Kabukiman, and other over-the-top characters in a world teeming with mutants, degenerates, and criminals. The narrative is little more than a loose excuse for the chaos that follows—missions involve killing gangs, fighting “Surf Nazis,” and mowing down bizarre enemies across grimy, cartoonishly violent maps. The dialogue is intentionally crass and self-aware, constantly breaking the fourth wall to mock its own low production values. It mirrors the humor and attitude of Troma’s cult films: gleefully tasteless, politically incorrect, and designed to shock as much as amuse. For those who understand and enjoy the bizarre, offensive comedy that defines Troma’s cinematic legacy, this tone lands exactly as intended. For others, it can easily come across as juvenile, random, and exhausting.
Gameplay-wise, The Troma Project borrows its framework from classic turn-based tactics titles, but it executes that formula with mixed results. You control your squad from an isometric perspective, moving each character using a finite pool of action points per turn. Every movement, attack, or interaction consumes part of this pool, forcing players to plan carefully—at least in theory. In practice, the game’s systems are simplistic, and many encounters devolve into basic shootouts where strategy takes a back seat to sheer absurdity. Weapons are plentiful but lack nuance, and mission objectives rarely evolve beyond “kill everything that moves.” The mechanics feel clunky, the pathfinding awkward, and the user interface dated even by early 2000s standards. At times, the game’s primitive systems make it difficult to distinguish between intentional challenge and pure jank. Yet there’s something oddly endearing about its roughness, as if the developers knew they were creating a chaotic parody rather than a polished tactical experience.
Visually, the game is unmistakably old-school, with blocky character models, muddy textures, and static backdrops that evoke the low-budget aesthetics of its cinematic inspirations. The presentation is crude but fitting for a Troma production—gore splatters across the screen, explosions look delightfully cheap, and character animations often border on comedic in their awkwardness. The inclusion of actual film clips and voiceovers from Troma’s founder Lloyd Kaufman helps cement the game’s identity as an extension of the studio’s multimedia madness. The soundtrack leans into punk and metal influences, enhancing the chaotic energy, while the sound effects—gunfire, explosions, screams—further emphasize the over-the-top violence. It’s far from technically impressive, but it nails the vibe of a grimy VHS-era splatterfest.
Despite its entertainment value as a novelty, The Troma Project’s flaws are impossible to ignore. Its mechanics are repetitive, and the lack of variety in mission structure makes it difficult to sustain interest over multiple play sessions. The balance between humor and gameplay is often skewed toward the former, resulting in moments where the jokes land but the gameplay itself drags. The controls are clumsy, the camera feels restrictive, and the inventory system is cumbersome. Even fans of retro strategy games may find the pacing slow and the interface unintuitive. The game also suffers from technical hiccups—bugs, crashes, and glitches that can interrupt progress. It’s clear that the project was limited by budget and time, and while the developers infused it with enthusiasm for Troma’s universe, the end result often feels more like an unfinished experiment than a fully realized title.
Where The Troma Project succeeds, however, is in its sheer audacity. It’s one of the few video games to fully commit to the chaotic, satirical, and unapologetically vulgar style of exploitation cinema. There’s a certain authenticity in how it refuses to tone down Troma’s trademark brand of shock humor. It’s grotesque, nonsensical, and often tasteless—but that’s the point. For players familiar with the films, seeing beloved B-movie characters turned into playable units has a novelty appeal that can’t be denied. The missions are interspersed with grainy cutscenes and tongue-in-cheek dialogue that feel ripped straight from the low-budget films of the 1980s, making the experience strangely cohesive despite its many rough edges.
Ultimately, The Troma Project is less of a traditional game and more of a cult artifact—a digital curiosity for those who appreciate Troma’s unique brand of cinematic absurdity. It’s messy, crude, and mechanically outdated, but it captures the chaotic heart of the franchise in a way few games dare to attempt. Fans of Troma’s offbeat humor and schlocky charm will likely find it amusing as a short-lived novelty, while anyone looking for refined gameplay or modern design will be left baffled by its eccentricity. It’s an odd, unpolished, and sometimes frustrating experience, yet its unapologetic commitment to its own weirdness gives it a kind of twisted authenticity. The Troma Project doesn’t aim to be good in the traditional sense—it aims to be Troma: loud, trashy, offensive, and unforgettable in its own bizarre way.
Rating: 6/10
Steam User 0

Reviewed last year

Truly an amazing game! I am amazed at the imagination of the game makers!
Steam User 0

Reviewed last year

i love troma and their movies ... so i had to playthis .. AND I LOVE IT
Steam User 0

Reviewed last year

The New Toxic Avenger Movie with Peter Dinklage was aids
Steam User 0

Reviewed last year

The Troma Project

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